Difference between revisions of "Anga"
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| + | The beauty of ragaprapti | ||
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In the opening/mukha there might be | In the opening/mukha there might be | ||
hint/upaksepa | hint/upaksepa | ||
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A.K. Warder writes strongly against over calculation of what is used where, and over definition. In his interpretation, these become closer to possibilities ( derived from generations of practice?) | A.K. Warder writes strongly against over calculation of what is used where, and over definition. In his interpretation, these become closer to possibilities ( derived from generations of practice?) | ||
| + | There are a few given uses of the angas/limbs: arrangement of selected matter; provision of incidents; making the play attractive/ragaprapti; keeping hidden what should be hidden; revealing what should be revealed; possibly [[giving length]], a fine presentation. | ||
Latest revision as of 12:03, 20 December 2013
The beauty of ragaprapti
In the opening/mukha there might be
hint/upaksepa
extension/parikara
fixing/parinyasa
beguiling/vilobhana
judgement/yukti
attainment/prapti
concentrating/samadhana
performing/vidhana
surprise/paribhavana
germination/udbheda
action/karana
split/bheda
in the reopening
play/vilasa
tracing/ parisarpa
spurning/vidhuta
remorse/ tapana
joke/narman
laughing off/narmadyuti
explaination/parasamana
check/nirodha
apology/paryupasaba
thunderbolt/outspoken statement/vajra
flowery speech/pushpa
proposal/upanyasa
assembly/varnasamskara
A.K. Warder writes strongly against over calculation of what is used where, and over definition. In his interpretation, these become closer to possibilities ( derived from generations of practice?) There are a few given uses of the angas/limbs: arrangement of selected matter; provision of incidents; making the play attractive/ragaprapti; keeping hidden what should be hidden; revealing what should be revealed; possibly giving length, a fine presentation.
