Difference between revisions of "Anga"
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| − | In the opening there might be | + | The beauty of ragaprapti |
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| + | In the opening/mukha there might be | ||
hint/upaksepa | hint/upaksepa | ||
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extension/parikara | extension/parikara | ||
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fixing/parinyasa | fixing/parinyasa | ||
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beguiling/vilobhana | beguiling/vilobhana | ||
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judgement/yukti | judgement/yukti | ||
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attainment/prapti | attainment/prapti | ||
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concentrating/samadhana | concentrating/samadhana | ||
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performing/vidhana | performing/vidhana | ||
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surprise/paribhavana | surprise/paribhavana | ||
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germination/udbheda | germination/udbheda | ||
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action/karana | action/karana | ||
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split/bheda | split/bheda | ||
in the reopening | in the reopening | ||
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play/vilasa | play/vilasa | ||
| − | tracing parisarpa | + | |
| + | tracing/ parisarpa | ||
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spurning/vidhuta | spurning/vidhuta | ||
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remorse/ tapana | remorse/ tapana | ||
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joke/narman | joke/narman | ||
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laughing off/narmadyuti | laughing off/narmadyuti | ||
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explaination/parasamana | explaination/parasamana | ||
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check/nirodha | check/nirodha | ||
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apology/paryupasaba | apology/paryupasaba | ||
| − | + | ||
| + | thunderbolt/outspoken statement/vajra | ||
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flowery speech/pushpa | flowery speech/pushpa | ||
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proposal/upanyasa | proposal/upanyasa | ||
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assembly/varnasamskara | assembly/varnasamskara | ||
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| + | A.K. Warder writes strongly against over calculation of what is used where, and over definition. In his interpretation, these become closer to possibilities ( derived from generations of practice?) | ||
| + | There are a few given uses of the angas/limbs: arrangement of selected matter; provision of incidents; making the play attractive/ragaprapti; keeping hidden what should be hidden; revealing what should be revealed; possibly [[giving length]], a fine presentation. | ||
Latest revision as of 12:03, 20 December 2013
The beauty of ragaprapti
In the opening/mukha there might be
hint/upaksepa
extension/parikara
fixing/parinyasa
beguiling/vilobhana
judgement/yukti
attainment/prapti
concentrating/samadhana
performing/vidhana
surprise/paribhavana
germination/udbheda
action/karana
split/bheda
in the reopening
play/vilasa
tracing/ parisarpa
spurning/vidhuta
remorse/ tapana
joke/narman
laughing off/narmadyuti
explaination/parasamana
check/nirodha
apology/paryupasaba
thunderbolt/outspoken statement/vajra
flowery speech/pushpa
proposal/upanyasa
assembly/varnasamskara
A.K. Warder writes strongly against over calculation of what is used where, and over definition. In his interpretation, these become closer to possibilities ( derived from generations of practice?) There are a few given uses of the angas/limbs: arrangement of selected matter; provision of incidents; making the play attractive/ragaprapti; keeping hidden what should be hidden; revealing what should be revealed; possibly giving length, a fine presentation.
