Sayrajrao Gaekwad III
The Gaekwads, a Maratha clan who were originally the generals of the Peshwas in Maharashtra, carved out a kingdom for themselves in Baroda. Twenty years later, Damaji's nephew Pilaji became the founder of the house of Gaekwad. Although an English Resident was appointed to the Court of Baroda in 1802, the rulers had a good equation with the British. The wealth of the family is legendary, and stories abound of their priceless jewellery and works of art. The city witnessed a golden age when Maharajah Sayajirao Gaekwad came to the throne in the late 19th century. He brought about many reforms in education, medicine, religious tolerance and administration. Sayajirao was one of the three princes who rated and got a 21gun salute.
Maharaja Sayaji Rao Gaekwad III (1875-1939) is a legend; he was the adopted son of Queen Jamnabai. He took Baroda through a golden age with the help of an astute statesman - his chief minister, Diwan Madhav Rao. Sayaji Rao began constructing the Laxmi Vilas Palace, naming it after his first wife (a princess of Tanjore).
Baroda can boast of one of the finest palaces in India. Maharaja Sayajirao Gaekwad commissioned the famous British Architects, Major Mant and Chisolm to work on Laxmi Vilas palace. Designed in the Indo-Saracenic style, it is quite a long drive from the huge wrought iron gates with the mounted royal emblem, to the portico. You look around in amazement as you step inside - the colourful frescoes in Italian style on the walls of the palace surprise you with their splendour. Beautiful statues, marble fountains, Moorish arcades and stained glass windows adorn the structure.
The palace is a marvellous work of eclectic architecture, with a mix of all styles. Built in 720 acres, it was landscaped by Mr Gonderling of Kew. The work started in 1878 and was completed in 1890; it is still the residence of the royal family.
The Fatehsinh Rao Museum, located in the palace grounds, houses the royal collection of paintings, sculptures and other objects of art. Here also existed the Raja Ravi Verma studio, where he painted some of his famous works which today belong to this royal family. A garden house which remains shut today and a dargah (mausoleum) also find place here, (which is also shut); besides a pond with crocodiles. Many cricket ball and limb were lost here, when those playing cricket close by ventured into the pond;. There is an in-house cricket club too.
Massive black bulls with blue eyes stand in the doorway leading into the palace and the grounds,-- real ones, but stuffed ages ago. The gold gilt work on paintings is a sight to behold; models of the palace can be found under the impressive staircase leading to the top floor, where the personal chambers of the royal family are located. Its ornate Darbar Hall has an Italian mosaic floor and walls with mosaic decorations, lie empty since the day the Republic took over.
The convention hall has the entire gamut of carpets, painting, photographs of the royal family, silver, gold, ivory, furniture, Venetian chandeliers, domes and a decorous ceiling, There is a huge garden and a Navlakhi Vav (lucky stepped well) which is dry and covered in creepers said to contain a treasure worth millions, though no one has found it yet. There is a small mandir by the riverbank and the palace is surrounded on all sides by a modern colony - large sections of the palace grounds have been taken over by the government for them.
