The art of the playwright in dramatic construction is not limited to these five conjunctions

For instance there are five different rhetorical devices for leading into the prologue. Thus the words of the producer ( like in Phalke's play Rangabhoomi) who invariably appears in the prologue to announce the play, may be overheard and misunderstood by a character, who gets provoked and begins to act out of feeling provoked, setting off the action.

or parallel action between the producer and a character. Producer forced to retreat as character arrives.

Or character hears the producer and applies what he has said to himself.

or producer introduces a character.

or mentions a particular action which would be appropriate, and a character enters doing just that.

first two seen as being good for street plays. also as being good for comedy.

for general use elsewhere in a play, the Natyashastra mentions 21 other Sandhyantaras or 'other conjunctions'