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• Arrival of Sound Cinema
  ..., explored in Charles Rosen and Henri Zerner, Romanticism and Realism: The Mythology of Nineteenth Century Art (London: Faber, 1984), 24–28. “Poetry,” acc ...ion. The thematic redundancy of subjects related to an easily recognizable Christian pattern results in countless representations of angels, priests, feminine e
  695 KB (110,553 words) - 04:32, 27 April 2006
• PhalkeCreativeWiki:About
  ..., explored in Charles Rosen and Henri Zerner, Romanticism and Realism: The Mythology of Nineteenth Century Art (London: Faber, 1984), 24–28. “Poetry,” acc ...ion. The thematic redundancy of subjects related to an easily recognizable Christian pattern results in countless representations of angels, priests, feminine e
  803 KB (128,263 words) - 16:43, 24 May 2006
• PHALKE STRORIES
  In spite of being a Christian, he brought his son up like a devout Muslim. ...ns have hardly any chance to see such instructive plays and films on Hindu mythology.
  196 KB (33,860 words) - 23:45, 10 May 2006
• The Talkie Era
  ...ly to typify such screen characters in Hindi cinema. If there is an Indian Christian character, specially a female, she speaks her lines in a typical Goanaccent ...use of the flute also goes back to the RadhaKrishna love story from Hindu mythology, and often finds favour even with the sophisticated spectator. Ironically h
  61 KB (10,242 words) - 16:34, 22 May 2006
• Talkie
  ..., explored in Charles Rosen and Henri Zerner, Romanticism and Realism: The Mythology of Nineteenth Century Art (London: Faber, 1984), 24–28. “Poetry,” acc ...ion. The thematic redundancy of subjects related to an easily recognizable Christian pattern results in countless representations of angels, priests, feminine e
  855 KB (137,726 words) - 17:02, 22 May 2006