1872

From PhalkeFactory

Dada:

I grew up under Trymbakeshvar's large skies. The Brahmagiri hills looked like they had been carelessly painted across that sky by a confident paint brush that had paused as it finished, and pleased by the undulating hills it had made, relaxed into a contented murmur.

Cfa voysey-1930-nursery design.jpg


(The studio passes by a large tree, the children rush to the window, a crow has made a nest of thatch, pink mouths are straining out of the nest, noisy in their call for food. A squirrel is carrying its bushy train of a tail from branch to branch. A bird squeaks a structured note in three pieces, repeatedly. The studio passes by the heart of the large tree and suddenly, before them, is the open sky and the evocative line of the Brahmagiri hills.)


And then, in response to that master paintbrush, people from our town made a temple steeple. When the clouds weep over the mountains now, the rain deepens the black stone of the steeple and it stands out, a man made mountain in a godly place.



At the English club, the young 'probationers' were asked to give performances. The older ladies in the cantonement always sat through the performace, fanning themselves, as native bearers carried lemonade and other drinks around. The officers would often come in from the lawns for the post dinner piece and cheer on the 'young uns'

Unexpected bunch

A turbanned Mr. Punch

smoking a hubble bubble

around him (en) deshabille

Many dusky Indian filles

Asking our man for trouble


The delicate rabbits

Of Englishmen's habits

demanded a par-ti-cu-lar humour

Besides the impunity

Of the '57 mutiny

was giving our boys there a tumour


A shared snark at the darkies

Togged up in our khakis

was taking the whiskies down better

some Mookerjee writing

in english!! o blighting!

Does he know the alphabet-er?

( the boys have made a pretty folk dance of it, and throwing up their legs, sing and dance the piece out merrily, eliciting many a good natured laugh)


Dada:

Only some places retain a charge that you experience when you walk the land. Trymbakeshvar is one of those places, that has an electricity about it, a possibility that here, you might be able to walk, further into your own consciousness.

In the ages that preceded all ages, in a time that was before all times, that was not a point, but beyond the point, always beyond every point.. the gods and the demons were children in that time, and always engaged in competitive fights, that we call their battles. They had encountered the frightening spectre of death while at play. They wanted to defeat him. But for that they needed Amruta, the nectar which would give them immortality.

Fear made bravehearts out of them. They uprooted the mountain, Meru, put it on top of a tortoise and wrapped the giant snake Vasuki around it. The devas gathered on one side of the mountain, the asuras on the other, and like a tug of war on the largest scale you can imagine, they churned the ocean.

The skies were full of the gems that the churning threw up. A white horse with wings, Kamadhenu, the cow whose dark eyes have the containing silence of the smoothest riverbed pebbles. An onlooker would have been dazzled by these new stars. But no one else was looking, and those who were churning, had no use of leisure, they only wanted the amruta.

They wanted to drive death, push him away from their playgrounds, so they could play and fight amongst themselves forever. In the machinations, the fights, the interventions that were made to distribute the Amruta when it finally appeared, a few drops fell to the earth. Trymbakeshwar was one of those places where a drop of the nectar of the gods did its alchemy on the soil.