Difference between revisions of "1875"
| Line 12: | Line 12: | ||
Dada: | Dada: | ||
| − | the British had deposed Malhar Rao, the rightful Maratha king, packed him off from the throne peremptorily. I still say | + | the British had deposed Malhar Rao, the rightful Maratha king, packed him off from the throne peremptorily. I still say, so what if he slept with every woman who came his way and even with those who did not? He was a virile man |
| − | Sarasvati bai looks angry although she still does not look directly at Dada . | + | Sarasvati bai looks angry although she still does not look directly at Dada . The children stare at Dada. |
Dada: The point is, he was the king. What business did they have throwing him out? | Dada: The point is, he was the king. What business did they have throwing him out? | ||
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Dada: At your age, I was not Sayaji, but I was curious, I was in a new city, I was learning so many things, asking so many questions. Sometimes I wonder how it is, that despite being my son, you have no curiosity, absolutely none? Even your mother has asked me more about the world than you have. | Dada: At your age, I was not Sayaji, but I was curious, I was in a new city, I was learning so many things, asking so many questions. Sometimes I wonder how it is, that despite being my son, you have no curiosity, absolutely none? Even your mother has asked me more about the world than you have. | ||
| − | Outside the window, the flying Hanuman, who is Babaraya, watches his own un ease. His large eyes cloud over in | + | Outside the window, the flying Hanuman, who is Babaraya, watches his own un ease. His large eyes cloud over in anxiety and confusion as he watches himself being scolded by his father. Sarasvati goes to the windows, and looks sorrowfully at her child, trying with the expression on her small face, to console him. She cannot stand there long, looking: the pain is too magnified in the large eyes of that Babaraya. She turns back into the interior and stands behind where Dada is speaking to the little Babaraya, the same sad expression in the child's eyes. |
Sarasvati: How did they decide to make such a little boy the king? | Sarasvati: How did they decide to make such a little boy the king? | ||
| − | Dada is distracted, | + | Dada is distracted, he loves questions that he can answer: |
The house of Baroda had many unknown, unconsidered shadows, Sayaji was one of them. The first Gaekwad had married a woman from a lower caste, maybe for love, maybe for a some power. He only held out his left hand in marriage to hold her right hand in. She and her children were to not have any succession rights. | The house of Baroda had many unknown, unconsidered shadows, Sayaji was one of them. The first Gaekwad had married a woman from a lower caste, maybe for love, maybe for a some power. He only held out his left hand in marriage to hold her right hand in. She and her children were to not have any succession rights. | ||
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A little boy of twelve is lost in the bright ceremonies to announce his ascension, the way I was lost at my marriage. The rituals lead to the palace where bunches of teachers await him. Their words and their books will break open his mind, stretch it, make demands of it. Slowly his mind will become the plain for those hooves, and then, a horse itself.. it will canter, it will run across its own plain. Then he will be king. | A little boy of twelve is lost in the bright ceremonies to announce his ascension, the way I was lost at my marriage. The rituals lead to the palace where bunches of teachers await him. Their words and their books will break open his mind, stretch it, make demands of it. Slowly his mind will become the plain for those hooves, and then, a horse itself.. it will canter, it will run across its own plain. Then he will be king. | ||
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Dada: | Dada: | ||
| Line 62: | Line 58: | ||
Saraswati: | Saraswati: | ||
| − | Meanwhile, far away, Dhoomil kaka has gone to bed. The stars have come out like a perfect magic lantern show. | + | Meanwhile, far away, Dhoomil kaka has gone to bed. The stars have come out like in a perfect magic lantern show. |
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After a rowdy day of battling his friends in the mud, Dhundi lies on the cot in the verandah stares at a sky that is larger than anything else he can see. In the quiet, he waits for sounds that he could hear once. Sounds from another world. | After a rowdy day of battling his friends in the mud, Dhundi lies on the cot in the verandah stares at a sky that is larger than anything else he can see. In the quiet, he waits for sounds that he could hear once. Sounds from another world. | ||
( she caresses her stomach once containing a globe within, a galaxy for a little embryo) | ( she caresses her stomach once containing a globe within, a galaxy for a little embryo) | ||
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He listens for those sounds, his open eyes staring at the sky seem to anticipate them. He still carries memories from the womb, where he was safest. His eyes are like pieces of night sky, a restless moon shifts beneath their stillness. | He listens for those sounds, his open eyes staring at the sky seem to anticipate them. He still carries memories from the womb, where he was safest. His eyes are like pieces of night sky, a restless moon shifts beneath their stillness. | ||
| − | Dada: | + | Dada: This is also the year that the powerful supporter of Ravi Varma leaves Travancore for Baroda. When the mentor travels, he makes roads for the pupil. |
Revision as of 22:56, 26 October 2009
Prince of Wales visits India. Telephone.
Dada:
I was five when I first heard of Sayaji Gaekwad, the wonderful boy of twelve who was being made King in Baroda. I heard someone say- "no older than Dhoomil, and a king already". Dhoomilkaka looked unhappy, he was a bit slow at studies, and the adults used this as an opportunity to make endless fun of him. Everyone was in awe of the young boy who had become King.. They would tell stories of the coronation, how the carpets were deep enough to drown a child in, the jewels brighter than the sun, the magician who fell off the palace wall while performing and his body became thin air ...and the British of course. Always the British, especially when they talked of Baroda.
Neelkanth, all of three, and still gathering language, repeats: Br- i- tish
Dada:
the British had deposed Malhar Rao, the rightful Maratha king, packed him off from the throne peremptorily. I still say, so what if he slept with every woman who came his way and even with those who did not? He was a virile man
Sarasvati bai looks angry although she still does not look directly at Dada . The children stare at Dada.
Dada: The point is, he was the king. What business did they have throwing him out? And got Gopalrao on the throne. That was Sayaji's name, when they brought him in.
Sarasvati bai: Gopalrao. (smiles) Thinks: not very different from Govind. Maybe names decide your fate. But then, what of mine?
Babaraya:But his name was Dhundi then
Dada: You are almost Gopalrao's age when he became king, Babaraya
Babaraya looks at his father with open eyes, not sure what to do.
Dada: At your age, I was not Sayaji, but I was curious, I was in a new city, I was learning so many things, asking so many questions. Sometimes I wonder how it is, that despite being my son, you have no curiosity, absolutely none? Even your mother has asked me more about the world than you have.
Outside the window, the flying Hanuman, who is Babaraya, watches his own un ease. His large eyes cloud over in anxiety and confusion as he watches himself being scolded by his father. Sarasvati goes to the windows, and looks sorrowfully at her child, trying with the expression on her small face, to console him. She cannot stand there long, looking: the pain is too magnified in the large eyes of that Babaraya. She turns back into the interior and stands behind where Dada is speaking to the little Babaraya, the same sad expression in the child's eyes.
Sarasvati: How did they decide to make such a little boy the king?
Dada is distracted, he loves questions that he can answer:
The house of Baroda had many unknown, unconsidered shadows, Sayaji was one of them. The first Gaekwad had married a woman from a lower caste, maybe for love, maybe for a some power. He only held out his left hand in marriage to hold her right hand in. She and her children were to not have any succession rights.
Now, many years later, when fate throws a right hand his way, Sayaji holds onto it, leaps onto the royal horse and never looks back as he is led away. The 12 year old shadow is going to be more of a king than any king can be.
Sarasvatibai:
A little boy of twelve is lost in the bright ceremonies to announce his ascension, the way I was lost at my marriage. The rituals lead to the palace where bunches of teachers await him. Their words and their books will break open his mind, stretch it, make demands of it. Slowly his mind will become the plain for those hooves, and then, a horse itself.. it will canter, it will run across its own plain. Then he will be king.
Dada:
The British only want a docile ruler, they send in their teachers to teach docility to the future kings. But there are others too, supporters of Malhar Rao, within the palace. That is what Sayaji must learn, to walk between the two, because power is shared between the two, and he is the face of the power.
Sarasvati Bai:
For a few years more he will still be treated like a child, and he will behave like one too. He will drag his feet on the cool marble floors, he will feel the beings on the carved pillars and stare at their eyes, he will slowly walk around sculptures from all over the world.
My children are nodding sleepily, and Mandakini has even fallen into a peaceful slumber at Dada's feet.
Saraswati:
Meanwhile, far away, Dhoomil kaka has gone to bed. The stars have come out like in a perfect magic lantern show.
After a rowdy day of battling his friends in the mud, Dhundi lies on the cot in the verandah stares at a sky that is larger than anything else he can see. In the quiet, he waits for sounds that he could hear once. Sounds from another world. ( she caresses her stomach once containing a globe within, a galaxy for a little embryo)
He listens for those sounds, his open eyes staring at the sky seem to anticipate them. He still carries memories from the womb, where he was safest. His eyes are like pieces of night sky, a restless moon shifts beneath their stillness.
Dada: This is also the year that the powerful supporter of Ravi Varma leaves Travancore for Baroda. When the mentor travels, he makes roads for the pupil.
