Difference between revisions of "The mechanised being, his gate"
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ageing has gestures which leap over the body, will not be concealed by stillness, this is their beauty. every age has its ageing. | ageing has gestures which leap over the body, will not be concealed by stillness, this is their beauty. every age has its ageing. | ||
| − | they are gestures that express sensation, or its distillate, feeling. vulgar- of the people, human, as different from the controlled, made celestial, removed. the human gesture is vulgar, and therefore beautiful. the celestial is bloodless, air. Why did Purvuras love the air | + | they are gestures that express sensation, or its distillate, feeling. vulgar- of the people, human, as different from the controlled, made celestial, removed. the human gesture is vulgar, and therefore beautiful. the celestial is bloodless, air. Why did Purvuras love the air |
what does dance do to the human gesture? what is that wonderful mechanisation? [http://www.freewebs.com/cdacademy/hastas.htm] | what does dance do to the human gesture? what is that wonderful mechanisation? [http://www.freewebs.com/cdacademy/hastas.htm] | ||
Revision as of 09:22, 8 June 2015
the mechanical eye says the tower clock
the underground nose, says the spy system
the open neck
the column of the arm
the hillroad curve
the open palms
the bottled waist
the stomach ailment
the mound of venis/ the state tribute
the whale of thigh
the
ageing has gestures which leap over the body, will not be concealed by stillness, this is their beauty. every age has its ageing. they are gestures that express sensation, or its distillate, feeling. vulgar- of the people, human, as different from the controlled, made celestial, removed. the human gesture is vulgar, and therefore beautiful. the celestial is bloodless, air. Why did Purvuras love the air
what does dance do to the human gesture? what is that wonderful mechanisation? [1]
nothing runs away in a gif, explains the young Usha to me. she has mechanized the stories for me into a central gesture. Nal keeps leaving the sleeping Damayanti. Usha keeps flying away from Puruvuras. Shakuntala, fondling the deer in her lap, always looks up late, at Duruvasa.
What are the other stories you want me to work on? she asks.
I think I will move from the world of Amar Chitra Katha towards the Kahtasaritsagar.. those cannot be gifd, I am sure, I tell her.
She grins in a challenge.
