The Black Book - Revision history

HansaThapliyal at 02:11, 28 July 2013

2013-07-28T02:11:24Z

Thirdpoliceman007 at 17:37, 24 December 2011

2011-12-24T17:37:29Z

HansaThapliyal at 18:18, 6 September 2010

2010-09-06T18:18:31Z

HansaThapliyal at 10:25, 5 September 2010

2010-09-05T10:25:02Z

HansaThapliyal at 10:22, 5 September 2010

2010-09-05T10:22:50Z

HansaThapliyal at 07:10, 9 December 2009

2009-12-09T07:10:38Z

New page

there was once a book that could give you back your imagination
yours?
an imagination that was also yours and made you comfortable with a head on whose ledge troves of people were sitting talking simultaneously, siwming their lege
like these crows outside my window

←Older revision		Revision as of 02:11, 28 July 2013
Line 45:		Line 45:

	Trishanku's shadow on the sun dial in your garden		Trishanku's shadow on the sun dial in your garden
		+
		+	Art by Priyam, Rachna Sansad student, 2006
	[[Image:Example.jpg]]		[[Image:Example.jpg]]

←Older revision		Revision as of 17:37, 24 December 2011
Line 1:		Line 1:
		+	== A man is born and dies. ==

−	~~A man is born and dies.~~

	He lives 70 years. Grows, in the womb and out of it, changes, responds to the world around him.		He lives 70 years. Grows, in the womb and out of it, changes, responds to the world around him.
Line 45:		Line 45:

	Trishanku's shadow on the sun dial in your garden		Trishanku's shadow on the sun dial in your garden
		+	[[Image:Example.jpg]]

@@ Line 1: / Line 1: @@
 A man is born and dies.
@@ Line 33: / Line 32: @@
 Like its subject, which is the movement of life, the book must keep growing and changing.
-The images return to language again, and learn to compress those reams of words, those diverse drawings, into the compressed language of screenplay that prepares to open up in the presence of actors and technology: to become flickering shadows on a white screen.
+The images return to language again, and learn to compress those reams of words, those diverse drawings, into the compressed language of screenplay that in its turn, prepares to open up in the presence of actors and technology: to become flickering shadows on a white screen.
 notes- advertisement for the black book

←Older revision		Revision as of 10:25, 5 September 2010
Line 1:		Line 1:
−	~~there is a book that could give you back your imagination~~
−
−	~~'your'?~~
−
−	~~an imagination that is also yours, that can make you comfortable with a head on whose ledges troves of people sit, talking all at once, like flocks of birds on a swinging wire.~~
−

−	~~nooraani chashma~~
−
−	~~skill of an alchemist~~
−
−	~~dexterity of an acrobat~~
−
−	~~following trishanku's shadow move across the sundial in his garden~~
−
−	~~THE BLACK BOOK~~

	A man is born and dies.		A man is born and dies.
Line 49:		Line 34:

	The images return to language again, and learn to compress those reams of words, those diverse drawings, into the compressed language of screenplay that prepares to open up in the presence of actors and technology: to become flickering shadows on a white screen.		The images return to language again, and learn to compress those reams of words, those diverse drawings, into the compressed language of screenplay that prepares to open up in the presence of actors and technology: to become flickering shadows on a white screen.
		+
		+	notes- advertisement for the black book
		+
		+	there is a book that could give you back your imagination
		+
		+	'your'?
		+
		+	an imagination that is also yours, that can make you comfortable with a head on whose ledges troves of people sit, talking all at once, like flocks of birds on a swinging wire.
		+
		+	Noorani Chashma
		+
		+	Trishanku's shadow on the sun dial in your garden

@@ Line 1: / Line 1: @@
-there was once a book that could give you back your imagination
+there is a book that could give you back your imagination
-yours?
-an imagination that was also yours and made you comfortable with a head on whose ledge troves of people were sitting talking simultaneously, siwming their lege
+'your'?
-like these crows outside my window