Phalke outside Prabhat - Revision history

HansaThapliyal at 02:48, 16 September 2006

2006-09-16T02:48:49Z

HansaThapliyal at 02:45, 16 September 2006

2006-09-16T02:45:38Z

HansaThapliyal at 02:45, 16 September 2006

2006-09-16T02:45:05Z

HansaThapliyal at 02:42, 16 September 2006

2006-09-16T02:42:56Z

HansaThapliyal at 02:41, 16 September 2006

2006-09-16T02:41:35Z

HansaThapliyal at 08:22, 18 July 2006

2006-07-18T08:22:04Z

HansaThapliyal at 08:18, 18 July 2006

2006-07-18T08:18:46Z

HansaThapliyal at 06:36, 18 July 2006

2006-07-18T06:36:17Z

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[[Bhalchandra]] alias Babarya Phalke.

As Prabhat Film Company brought Dadasaheb's story Japani Pankha, we could make a copy of Setubandhan. It had a satisfactory audience response, which improve our financial circumstances. During the Second World Wat, a licence was essential for producing a movie. After Dadasaheb applied to the government in New Delhi, I met [[V.Shantaram]], as he was the president of the [[IMPPA]] ( Indian Motion Pictures Producerss' Association). He told me, however that he could not do anything as the government implemented the rules very strictly Hearing this, I was more sorry than disappointed, because merchants of asafoetida, iron and shev gathya, whjo had nothing at all to do with the film industry were becoming producers of films, passing the government's strict tests.I wanted to get our application approved through an instituin like the IMPPA. It was obvious that we had made the first claim. As, however, IMPPA did nothign, we sent the application direct but it was rejected by the government in clear terms. That too only two days before Dadasaheb's death. Earlier, on Dadasaheb's return from a tour of Iran, he had received enough publicity, but it was of no avail. Bhalchandra alias Babarya Phalke.

As Prabhat Film COmpany brought Dadasaheb's story [[Japani Pankha]], we could make a copy of [[Setubandhan]]. It had a satisfactory audience response, which improve our financial circumstances. During the Second World Wat, a licence was essential for producing a movie. After Dadasaheb applied to the government in New Delhi, I met V.Shantaram, as he was the president of the IMPPA ( Indian Motion Pictures Producerss' Association). He told me, however that he could not do anything as the government implemented the rules very strictly Hearing this, I was more sorry than disappointed, because merchants of asafoetida, iron and shev gathya, whjo had nothing at all to do with the film industry were becoming producers of films, passing the government's strict tests.I wanted to get our application approved through an instituin like the IMPPA. It was obvious that we had made the first claim. As, however, IMPPA did nothign, we sent the application direct but it was rejected by the government in clear terms. That too only two days before Dadasaheb's death. Earlier, on Dadasaheb's return from a tour of Iran, he had received enough publicity, but it was of no avail.

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 [[Bhalchandra]] alias Babarya Phalke.
-As Prabhat Film Company brought Dadasaheb's story Japani Pankha, we could make a copy of Setubandhan. It had a satisfactory audience response, which improve our financial circumstances. During the Second World Wat, a licence was essential for producing a movie. After Dadasaheb applied to the government in New Delhi, I met [[V.Shantaram]], as he was the president of the [[IMPPA]] ( Indian Motion Pictures Producerss' Association). He told me, however that he could not do anything as the government implemented the rules very strictly Hearing this, I was more sorry than disappointed, because merchants of asafoetida, iron and shev gathya, whjo had nothing at all to do with the film industry were becoming producers of films, passing the government's strict tests.I wanted to get our application approved through an instituin like the IMPPA. It was obvious that we had made the first claim. As, however, IMPPA did nothign, we sent the application direct but it was rejected by the government in clear terms. That too only two days before Dadasaheb's death. Earlier, on Dadasaheb's return from a tour of Iran, he had received enough publicity, but it was of no avail. Bhalchandra alias Babarya Phalke.
+[[As Prabhat Film Company bought Dadasaheb's story Japani Pankha]], we could make a copy of Setubandhan. It had a satisfactory audience response, which improve our financial circumstances. During the Second World Wat, a licence was essential for producing a movie. After Dadasaheb applied to the government in New Delhi, I met [[V.Shantaram]], as he was the president of the [[IMPPA]] ( Indian Motion Pictures Producerss' Association). He told me, however that he could not do anything as the government implemented the rules very strictly Hearing this, I was more sorry than disappointed, because merchants of asafoetida, iron and shev gathya, whjo had nothing at all to do with the film industry were becoming producers of films, passing the government's strict tests.I wanted to get our application approved through an instituin like the IMPPA. It was obvious that we had made the first claim. As, however, IMPPA did nothign, we sent the application direct but it was rejected by the government in clear terms. That too only two days before Dadasaheb's death. Earlier, on Dadasaheb's return from a tour of Iran, he had received enough publicity, but it was of no avail. Bhalchandra alias Babarya Phalke.
 from Bapu Vatve's book on Dadasaheb Phalke published by the National Book Trust

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-Gangavataran was the only talkie directed by DadaSaheb.Thereafter he did not involve himself with film production. After this movie was completed, he stayed for about a year with Narayan Hari Apte at Koregaon for peace of mind. Then he moved to Pune, where [[Nanasaheb Sarpotdar]] made efficient arrangments for him in Poona Guest House with respect and solicitude. Negotiations were on for Prabhat Film company to produce documentaries, newsreels and educational films with Dadasaheb in charge of the department. An honorarium of about two hundred and fifty rupees a month were also paid to him. He rented a rom for Rs. 10 a month in Dole's bungalow. After so days he moved to Vaidya Wada. However, Prabhat's scheme did not materialise.[[1939]]
+Gangavataran was the only talkie directed by DadaSaheb.Thereafter he did not involve himself with film production. After this movie was completed, he stayed for about a year with Narayan Hari Apte at Koregaon for peace of mind. Then he moved to Pune, where [[Nanasaheb Sarpotdar]] made efficient arrangments for him in Poona Guest House with respect and solicitude. Negotiations were on for Prabhat Film company to produce documentaries, newsreels and educational films with Dadasaheb in charge of the department. An honorarium of about two hundred and fifty rupees a month were also paid to him. He rented a rom for Rs. 10 a month in Dole's bungalow. After some days he moved to Vaidya Wada. However, Prabhat's scheme did not materialise.[[1939]]
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←Older revision		Revision as of 02:45, 16 September 2006
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		+	Gangavataran was the only talkie directed by DadaSaheb.Thereafter he did not involve himself with film production. After this movie was completed, he stayed for about a year with Narayan Hari Apte at Koregaon for peace of mind. Then he moved to Pune, where [[Nanasaheb Sarpotdar]] made efficient arrangments for him in Poona Guest House with respect and solicitude. Negotiations were on for Prabhat Film company to produce documentaries, newsreels and educational films with Dadasaheb in charge of the department. An honorarium of about two hundred and fifty rupees a month were also paid to him. He rented a rom for Rs. 10 a month in Dole's bungalow. After so days he moved to Vaidya Wada. However, Prabhat's scheme did not materialise.[[1939]]
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		+	----
		+
	[[Bhalchandra]] alias Babarya Phalke.		[[Bhalchandra]] alias Babarya Phalke.

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	from Bapu Vatve's book on Dadasaheb Phalke published by the National Book Trust		from Bapu Vatve's book on Dadasaheb Phalke published by the National Book Trust
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−	~~----~~
−	Gangavataran was the only talkie directed by DadaSaheb.Thereafter he did not involve himself with film production. After this movie was completed, he stayed for about a year with Narayan Hari Apte at Koregaon for peace of mind. Then he moved to Pune, where Nanasaheb Sarpotdar made efficient arrangments for him in Poona Guest House with respectand solicitude. Negotiations were on for Prabhat Film company to produce documentaries, newsreels and educational films with Dadasaheb in charge of the department. An honorarium of about two hundred and fifty rupees a month were also paid to him. He rented a rom for Rs. 10 a month in Dole's bungalow. After so days he moved to Vaidya Wada. However, Prabhat's scheme did not materialise.[[1939]]
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−	~~----~~

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-the proposal to give him work at Prabhat[[1939]]
+Gangavataran was the only talkie directed by DadaSaheb.Thereafter he did not involve himself with film production. After this movie was completed, he stayed for about a year with Narayan Hari Apte at Koregaon for peace of mind. Then he moved to Pune, where Nanasaheb Sarpotdar made efficient arrangments for him in Poona Guest House with respectand solicitude. Negotiations were on for Prabhat Film company to produce documentaries, newsreels and educational films with Dadasaheb in charge of the department. An honorarium of about two hundred and fifty rupees a month were also paid to him. He rented a rom for Rs. 10 a month in Dole's bungalow. After so days he moved to Vaidya Wada. However, Prabhat's scheme did not materialise.[[1939]]
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-[[1939]]
+the proposal to give him work at Prabhat[[1939]]
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←Older revision		Revision as of 08:18, 18 July 2006
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	As Prabhat Film COmpany brought Dadasaheb's story [[Japani Pankha]], we could make a copy of [[Setubandhan]]. It had a satisfactory audience response, which improve our financial circumstances. During the Second World Wat, a licence was essential for producing a movie. After Dadasaheb applied to the government in New Delhi, I met V.Shantaram, as he was the president of the IMPPA ( Indian Motion Pictures Producerss' Association). He told me, however that he could not do anything as the government implemented the rules very strictly Hearing this, I was more sorry than disappointed, because merchants of asafoetida, iron and shev gathya, whjo had nothing at all to do with the film industry were becoming producers of films, passing the government's strict tests.I wanted to get our application approved through an instituin like the IMPPA. It was obvious that we had made the first claim. As, however, IMPPA did nothign, we sent the application direct but it was rejected by the government in clear terms. That too only two days before Dadasaheb's death. Earlier, on Dadasaheb's return from a tour of Iran, he had received enough publicity, but it was of no avail.		As Prabhat Film COmpany brought Dadasaheb's story [[Japani Pankha]], we could make a copy of [[Setubandhan]]. It had a satisfactory audience response, which improve our financial circumstances. During the Second World Wat, a licence was essential for producing a movie. After Dadasaheb applied to the government in New Delhi, I met V.Shantaram, as he was the president of the IMPPA ( Indian Motion Pictures Producerss' Association). He told me, however that he could not do anything as the government implemented the rules very strictly Hearing this, I was more sorry than disappointed, because merchants of asafoetida, iron and shev gathya, whjo had nothing at all to do with the film industry were becoming producers of films, passing the government's strict tests.I wanted to get our application approved through an instituin like the IMPPA. It was obvious that we had made the first claim. As, however, IMPPA did nothign, we sent the application direct but it was rejected by the government in clear terms. That too only two days before Dadasaheb's death. Earlier, on Dadasaheb's return from a tour of Iran, he had received enough publicity, but it was of no avail.
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		+	[[1939]]
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		+	----