1880 - Revision history

HansaThapliyal at 11:27, 29 February 2016

2016-02-29T11:27:12Z

HansaThapliyal at 16:19, 4 January 2015

2015-01-04T16:19:21Z

HansaThapliyal at 18:40, 13 July 2014

2014-07-13T18:40:04Z

HansaThapliyal at 08:08, 22 December 2013

2013-12-22T08:08:36Z

HansaThapliyal at 07:23, 24 November 2013

2013-11-24T07:23:51Z

HansaThapliyal at 20:12, 23 November 2013

2013-11-23T20:12:17Z

HansaThapliyal at 10:50, 18 November 2013

2013-11-18T10:50:40Z

HansaThapliyal at 02:19, 21 September 2013

2013-09-21T02:19:24Z

KaranWorah at 11:13, 18 February 2013

2013-02-18T11:13:46Z

HansaThapliyal at 11:39, 19 February 2012

2012-02-19T11:39:54Z

@@ Line 108: / Line 108: @@
 He walks thus, on and on, and faces the sea of Bombay. He sees a passing buggy, gets into it, and gives him the address of his studio.
 -----------
- Ravi Varma takes class in JJ
+[[Ravi Varma takes class in JJ]]

@@ Line 7: / Line 7: @@
-"Foreign forms of ornament are being constantly introduced into the country; and so rapidly are they spreading, that there is a real fear that they may at last irrevocably witiate the native tradition of the ecorative arts of India"
+"Foreign forms of ornament are being constantly introduced into the country; and so rapidly are they spreading, that there is a real fear that they may at last irrevocably witiate the native tradition of the decorative arts of India"
 G.C.M.Birdwood[http://en.wikipedia.org/wiki/George_Christopher_Molesworth_Birdwood]
 -----------------
@@ Line 27: / Line 27: @@
 Phalke, writing:
-Those years, of the early 80's, Kirloskar's Natak company had taken the world by storm. I was too young to be taken to see anything, but I was rapt with the theatre of the Mahanagar, the city of Bombay itself.
+Those years, of the early 80's,[[ Kirloskar's Natak company]] had taken the world by storm. I was too young to be taken to see anything, but I was rapt with the theatre of the Mahanagar, the city of Bombay itself.
 I was told stories of the theatre though, of  Annasaheb's performance. People who had not been to the show, and most of our family and neighbours had not- felt that they could talk about it, so full of pride and wonder did accounts of the event make everyone! Marathi theatre had come into its own, everyone said, had learnt from Parsee and British theatre to tell our own particular stories with our songs, our kind of acting.
 [[Kirloskar]] conquered Bombay like that city was conquering me.
@@ Line 42: / Line 42: @@
 [[Image:Kirloskarnatak 14869.jpg]]  [[Image:Bombay Policeman.jpg]]
-Kirloskarnatak: 'But only when Balwant Pandurang Kirloskar (popularly known as Annasaheb Kirloskar) staged his first musical play Shaakuntal on October 31, 1880 in Pune did the trend of Sangeet Natak really start. Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts. They consisted of a mix of Hindustani and Carnatic classical music, and lighter music.' [http://en.wikipedia.org/wiki/Annasaheb_Kirloskar]
+[[Kirloskarnatak]]: 'But only when Balwant Pandurang Kirloskar (popularly known as Annasaheb Kirloskar) staged his first musical play Shaakuntal on October 31, 1880 in Pune did the trend of Sangeet Natak really start. Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts. They consisted of a mix of Hindustani and Carnatic classical music, and lighter music.' [http://en.wikipedia.org/wiki/Annasaheb_Kirloskar]
 The Naandi- invocation from the very first play- Shakuntal, in the Sangeet Natak tradition. reproduced for the film Bal Gandharava.

@@ Line 146: / Line 146: @@
 Saya will wonder in later years whether that afternoon was really a dream. He will wonder at a time when it will really become a dream, when to deal with loss he will try and concentrate on remembered moments. Liquid eyes that he had some claim to, were all she seemed made of that day. Eye widening impossibly as they implored,  He had felt uneasy, she looked, almost- alien , in a a dazzle of silk and gold and flowers, crowned by those eyes responding to every cadence of a language unknown to him. Behind her, the vigorously undulating forms of the two dancers, their eyes more quiet and deferential.
 ----------------
 [[Backdrops across painting and theatre]]

←Older revision		Revision as of 08:08, 22 December 2013
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	[[Image: Tram lines .JPG]]		[[Image: Tram lines .JPG]]
		+
		+	[[The classical indian stage as space]]

	[http://images.google.co.in/imgres?imgurl=http://www.hindu.com/fr/2008/01/18/images/2008011850140304.jpg&imgrefurl=http://www.hindu.com/fr/2008/01/18/stories/2008011850140300.htm&usg=__D8L_hBk-o-4pvgR2KFzPCYQWdwU=&h=129&w=227&sz=16&hl=en&start=1&tbnid=16aqwlGFA7cuVM:&tbnh=61&tbnw=108&prev=/images%3Fq%3Dindia%2B19th%2Bcentury%2Btheatre%2Bpainted%2Bbackdrops%26gbv%3D2%26hl%3Den%26sa%3DG]		[http://images.google.co.in/imgres?imgurl=http://www.hindu.com/fr/2008/01/18/images/2008011850140304.jpg&imgrefurl=http://www.hindu.com/fr/2008/01/18/stories/2008011850140300.htm&usg=__D8L_hBk-o-4pvgR2KFzPCYQWdwU=&h=129&w=227&sz=16&hl=en&start=1&tbnid=16aqwlGFA7cuVM:&tbnh=61&tbnw=108&prev=/images%3Fq%3Dindia%2B19th%2Bcentury%2Btheatre%2Bpainted%2Bbackdrops%26gbv%3D2%26hl%3Den%26sa%3DG]

←Older revision		Revision as of 07:23, 24 November 2013
Line 43:		Line 43:

	Kirloskarnatak: 'But only when Balwant Pandurang Kirloskar (popularly known as Annasaheb Kirloskar) staged his first musical play Shaakuntal on October 31, 1880 in Pune did the trend of Sangeet Natak really start. Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts. They consisted of a mix of Hindustani and Carnatic classical music, and lighter music.' [http://en.wikipedia.org/wiki/Annasaheb_Kirloskar]		Kirloskarnatak: 'But only when Balwant Pandurang Kirloskar (popularly known as Annasaheb Kirloskar) staged his first musical play Shaakuntal on October 31, 1880 in Pune did the trend of Sangeet Natak really start. Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts. They consisted of a mix of Hindustani and Carnatic classical music, and lighter music.' [http://en.wikipedia.org/wiki/Annasaheb_Kirloskar]
		+
		+	The Naandi- invocation from the very first play- Shakuntal, in the Sangeet Natak tradition. reproduced for the film Bal Gandharava.
		+	[http://www.youtube.com/watch?v=xjnvvf5r7NQ]

←Older revision		Revision as of 20:12, 23 November 2013
Line 41:		Line 41:

	[[Image:Kirloskarnatak 14869.jpg]] [[Image:Bombay Policeman.jpg]]		[[Image:Kirloskarnatak 14869.jpg]] [[Image:Bombay Policeman.jpg]]
		+
		+	Kirloskarnatak: 'But only when Balwant Pandurang Kirloskar (popularly known as Annasaheb Kirloskar) staged his first musical play Shaakuntal on October 31, 1880 in Pune did the trend of Sangeet Natak really start. Kirloskar included 209 musical pieces in his Shaakuntal of 7 acts. They consisted of a mix of Hindustani and Carnatic classical music, and lighter music.' [http://en.wikipedia.org/wiki/Annasaheb_Kirloskar]

←Older revision		Revision as of 10:50, 18 November 2013
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	painted backdrops, 19th and early 20th century theatre in India		painted backdrops, 19th and early 20th century theatre in India
		+
		+	[[Image:Bombay, 1880.jpg]]

	-----------		-----------

←Older revision		Revision as of 02:19, 21 September 2013
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	[http://www.era.eu.org/04/history_s2.html] [[photogruave]] a committed artistic process of printing		[http://www.era.eu.org/04/history_s2.html] [[photogruave]] a committed artistic process of printing
	[http://www.codex99.com/photography/113.html]		[http://www.codex99.com/photography/113.html]
		+	-----
		+	one of Jules Verne's 54 books series on Voyages Extraordinaire, "The end of Nana Sahib" or "The Steam House" or 'The Demon of Cawnpore"
		+	"I don't want to speak evil of railroads, Banks, since it is your business to make them; but let me ask whether you call it traveling to be jammed up in the compartment of a carriage, see no further than the glass of the windows on either side of you, tear along day and night, now among viaducts among the eagles and vultures, now through tunnels among moles and rats, stopping only at stations one exactly like another, seeing nothing of towns but the outside of their walls and the tops of their minarets, and all this among an uproar of snorting engines, shrieking steam whistles, grinding and grating of rails, varied by the mournful groans of the brake. Can you, I say, call this traveling so as to see a country?"
		+	[http://en.wikipedia.org/wiki/Voyages_Extraordinaires] [http://en.wikipedia.org/wiki/The_Steam_House]

@@ Line 103: / Line 103: @@
 He walks thus, on and on, and faces the sea of Bombay. He sees a passing buggy, gets into it, and gives him the address of his studio.
 -----------
 Phalke draws on two points on paper:

@@ Line 177: / Line 177: @@
 [http://www.mardecortesbaja.com/blog/_archives/2008/9/23/3896374.html]
 --------------
-[http://www.era.eu.org/04/history_s2.html] photogruave a committed artistic process of printing
+[http://www.era.eu.org/04/history_s2.html] [[photogruave]] a committed artistic process of printing
 [http://www.codex99.com/photography/113.html]