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From PhalkeFactory
  • ...nd see the results. And thus ended the short practical course of a week at filmmaking the shortest on record! ...stes willing to work for films, because of the peculiar stigma attached to filmmaking. Phalke’s advertisements in Bombay’s Induprakash towards May 1912 viz.
    60 KB (10,019 words) - 18:17, 7 February 2009
  • ...ning and essential experience that materialized/manifested itself in his [[filmmaking]]. After being trained in the [[scriptures]] and [[story-telling]] by his f ...he digital age, these techniques are again becoming the commonplace in the filmmaking process. Consequently, cinema can no longer be clearly distinguished from a
    36 KB (5,567 words) - 11:20, 30 March 2009
  • ...laborate with European filmmakers and try to improve the quality of Indian filmmaking with the help of foreign technical know-how. filmmaking long forgotten...
    4 KB (675 words) - 02:34, 26 April 2006
  • ...ther of the Indian fiction film did try his hand at this genre of 'Factual filmmaking.' He even made a documentary Chitrapat Kase Taya Kartat (How Films are made
    6 KB (938 words) - 02:45, 26 April 2006
  • ...ther of the Indian fiction film did try his hand at this genre of 'Factual filmmaking.' He even made a documentary Chitrapat Kase Taya Kartat (How Films are made
    6 KB (938 words) - 02:49, 26 April 2006
  • The studios' apparent dominance of filmmaking in the decade of the thirties has been attributed to a number of factors. I ...ch period. However, the studio era does represent a diffferent approach to filmmaking in India that requires further elaboration.
    33 KB (5,226 words) - 16:35, 26 April 2006
  • ...ther of the Indian fiction film did try his hand at this genre of 'Factual filmmaking.' He even made a documentary Chitrapat Kase Taya Kartat (How Films are made
    6 KB (938 words) - 23:47, 26 April 2006
  • ...es intended to be performed by the actors. As a matter of fact, describing filmmaking in 1907, Gene Gauntier wrote: “If the director wished certain words to re ...more skilled artist than before; he was now competent in the technology of filmmaking. All of the film excerpts were marked off as special intervals from two to
    695 KB (110,553 words) - 04:32, 27 April 2006
  • ...ergson omits to note in this argument: 1) the creative process involved in filmmaking and 2) the incompatibility of using the picture puzzle and cinematographic ...de, given. He completely neglects the role that time plays in the creative filmmaking process. There is certainly as much uncertainty on the filmmaker's part as
    803 KB (128,263 words) - 16:43, 24 May 2006
  • Eager to test his theories against the actual practice of filmmaking, Phalke visits the Hepworth studios and observes their shooting methods. ...ing, architecture, photography, theatre and magic, which are necessary for filmmaking.
    196 KB (33,860 words) - 23:45, 10 May 2006
  • form of filmmaking." Rheingold describes the
    110 KB (17,694 words) - 16:11, 21 May 2006
  • ...tic quite some time ago. Today, optical IS used only in the final stage of filmmaking. Magnetic technology offers greater range in sound than the monooptical sys
    61 KB (10,242 words) - 16:34, 22 May 2006
  • ...es intended to be performed by the actors. As a matter of fact, describing filmmaking in 1907, Gene Gauntier wrote: “If the director wished certain words to re ...more skilled artist than before; he was now competent in the technology of filmmaking. All of the film excerpts were marked off as special intervals from two to
    855 KB (137,726 words) - 17:02, 22 May 2006
  • ...stes willing to work for films, because of the peculiar stigma attached to filmmaking. Phalke’s advertisements in Bombay’s Induprakash towards May 1912 viz. ...any and varied because of total ignorance about the art and [[technique of filmmaking]]. “I had to do every-thing”. Phlake told the film Inquiry Committee on
    7 KB (1,176 words) - 23:59, 16 July 2006
  • ...second version of 'Raja Harishchandra'. Between 1911, when he first began filmmaking, to 1934, when he retired from the film business, Phalke's production unit
    4 KB (734 words) - 12:49, 26 May 2006
  • ...ndependents were combining into the companies that would dominate American filmmaking for decades to come. ...cant role. However, the war, fought on European soil, disrupted commercial filmmaking there. With a sudden drop in European film exports, some regions, such as L
    14 KB (2,263 words) - 14:52, 18 June 2006
  • B
    ...mit production and film length, the independents moved into feature-length filmmaking and built up a star system to publicize their works. Among the independents After World War I circumstances of filmmaking in Europe greatly changed. American films by then predominated in a number
    8 KB (1,152 words) - 14:52, 18 June 2006
  • C
    In terms of commercial filmmaking, France’s film industry—the world’s strongest before World War I—oc ...saw itself as an assault on everyday reality, also brought new concepts to filmmaking. Entr’acte (1924), directed by René Clair, used early cinema’s techniq
    8 KB (1,181 words) - 14:54, 18 June 2006
  • ...esults. Mr. Hepworth had offered him a short practical course of a week at filmmaking, the shortest on record.
    28 KB (5,686 words) - 11:55, 17 July 2006
  • ...laborate with European filmmakers and try to improve the quality of Indian filmmaking with the help of foreign technical know-how. ...ies compound houses a vast industrial estate, its days of former glory and filmmaking long forgotten...
    4 KB (692 words) - 16:07, 9 July 2006

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